"Mouth !" : voix et lieux du pouvoir dans Norma Rae de Martin Ritt (1979)
Hollywood has never been eager to make movies about the American working class.In the few films that depict social conflict in US society, a few characters, and even fewer women, stand out as the protagonists of a working-class America in which they struggle, often barely surviving, often trying to get out of their condition.Hollywood, indeed, seem